Video: Democratic Deficit event / Fideo: digwyddiad Diffyg Democrataidd

Gwahoddodd Llywydd Cynulliad Cenedlaethol Cymru fi i’r Pierhead i gadeirio trafodaethau grŵp am sut mae cyfryngau digidol yn gallu cyfrannu at ddemocratiaeth gwell yng Nghymru, fel rhan o’r digwyddiad Diffyg Democrataidd: Lleoliaeth – achubiaeth datganoli? ar 12fed o Fehefin 2013. Maen nhw newydd rhannu fideo o fy nghrynodeb o syniadau a sylwadau yn ôl i bawb. Roedd sôn am y we, newyddion lleol, sgyrsiau aml-blatfform, data agored a gwleidyddion a newyddiadurwyr ar-lein. Dyma fersiwn gwreiddiol o’r fideo heb lais cyfieithiad ar y pryd.

The Presiding Officer of the National Assembly for Wales invited me to the Pierhead to chair group discussions on how digital media can contribute to better democracy in Wales, as a part of the event Democratic Deficit: Localism – the salvation of devolution? on the 12th of June 2013. We mentioned the web, local news, multiplatform conversations, open data and politicans and journalists online. I gave my summary of the discussions in Welsh and here is a dubbed version of the video with a live translation into English.

9 ways social media can benefit your business

We were invited to speak about social media and business at the launch of Coleg Morgannwg’s new Nantgarw campus. Here are some notes.

Serve your customers

Three, the mobile service provider, are particularly good at customer service (as far as we’ve experienced). Look at the Three Twitter account which they use to respond to queries and post service updates. Note how they identify the people who are running the account on behalf of the company. Giffgaff are another mobile service provider service making use of social media tools and principles. They are networking their customers so they can help each other, earn points which are added to their credit and ultimately keep costs down. There is a Volkswagen cult-like feel to the brand. It’s a bit of an experiment but the idea of allowing customers to talk to each other is a recurring one.

Develop your products

Again, in a different field but still in technology, Dell computers have a platform called IdeaStorm. So far they have incorporated over 515 ideas from the community into various products. You can see some examples of ideas in the screenshot. The ethos: your customers, when connected meaningfully, know more about your company than even you do.

Starbucks have My Starbucks Idea, a similar platform.

Tŷ Siriol are famed in Swansea and surrounds for their high quality pork sausages. In conversation with them recently they told us they’d saved a lot of money and effort by asking their customers which products they would favour. In response, rather than develop a range of different flavoured sausages they are focusing on one traditional sausage. Ask people what they want through social media, use polls etc. Nowadays, market research can be more affordable and quicker than ever before.

Inform yourself

The screenshot depicts Netvibes for a National Theatre Wales production called The Passion. Social media can be used to monitor mentions of the company, brands and products (maybe competitors?).

You probably should also monitor keywords from your industry and news from relevant sources.

Netvibes is still a decent tool, as is a feed reader like Google Reader for persistent searches.

It’s not egotistical to monitor your own name, it’s just taking an interest in your media profile.

Share your stories

A big part of Bulmers’ brand is their long history. They are telling the stories on their Facebook timeline. It’s consistent with their advertising and other publicity.

Often people want to hear about the process and the history behind your company. Illustrate it.

Promote your products

Rachel’s organic dairy products also come from Wales. They are using a Facebook app to offer recipes, ideas, competitions, offers, cross-promotions with other related firms and so on. They have a big following and can go direct. These days, every company is a media company.

There are questions about relying on Facebook for this in the long term. It seems to be working for them now though.

Find your team

This is about recruitment and being recruited.

We focus on LinkedIn here as a means of getting work opportunities. It is particularly good for freelancers.

Your web presence more generally is probably more important than ever before (e.g. introducing ideas on a blog or regular videos).

If you’re planning a career there is a new definition of literacy which includes digital. If you can express your ideas and converse with visualisations, video, images, audio and multimedia, then that is bona fide literacy. It’s important that we develop this in Wales, from early on.

Work smarter

Wikipedia is the supreme example of collaboration using social media. Wikipedia‘s project is to produce an encyclopaedia, it’s the example of the biggest wiki in terms of users and content. But there are many other collaborative applications of wikis.

At NativeHQ we have tools which we use every day: Trello (for our to-do lists) and Google Drive (for all kinds of documents, including reports and presentations).

Fund new initiatives

Gwilym Deudraeth’s 1929 book of poetry, depicted in the slide, is a superb example of ‘crowdfunding’ in Wales before the web. More details about Gwilym here.

Now we are observing the growth of Kickstarter, Indiegogo and other crowdfunding platforms which help you propose a project and raise money from a number of contributors. Very often the most successful attempts use social media, especially video, to make the case and promote the project. This is a social media phenomenon – it’s much cheaper to form groups than it was before.

Redefine your business

What could you offer now that you can network your customers? In a bold move for an airline KLM are introducing people on their planes. They have a scheme called ‘Meet and Seat’ where you can share a certain amount of info from your LinkedIn or Facebook profile – and then meet other people who are interested in meeting you. They are keen to emphasise that it’s networking rather than dating.

BBC and other broadcasters do this with their Twitter hashtags, to varying levels of success. Question Time has been successful with #bbcqt and the accompanying account for the show @bbcquestiontime. The key realisation was that audiences don’t respond to ‘have your say’ (with its connotations of centralised broadcasting, using only one account) nearly as much as the offer to ‘talk to your peers’ (one hashtag which is used by thousands of decentralised participants).


That’s it. We had so much we had to cut out – this was intended to be a general presentation.

(Video of our presentation to come soon.)

Coleg Morgannwg panoramic pic by Tom and his new iPhone

Engaging theatre audiences through the internet: presentation

Theatre and the Internet

I was recently invited to speak to an audience of theatre makers at Somerset House – a wonderful venue in London that looks out across the River Thames to the National Theatre (England’s, that is…). The presentation looks at some of the work Native has been doing with National Theatre Wales.

As well as developing the National Theatre Wales Community, we’ve been using the internet as part of a multiplatform theatre design for a number of productions, including the Passion of Port Talbot and The Radicalisation of Bradley Manning.

You can view the presentation file (I used Prezi) and listen to the presentation below (my presentation starts 32.20 minutes into the SoundCloud file):

Eight things we’re learning about social media training

This year NativeHQ have been running social media training courses in collaboration with Cyfle and also running workshops with our clients, who ask for training as a bundle with other services like strategy and campaigns. Here are some provisional thoughts we’ve had about the training experience. Some might be useful to trainers in other disciplines.

There are eight of them because I thought of eight.

1. Practices and platforms

When an organisation asks us for YouTube training (say) or Platform X, then they already know about that platform and they’re looking for relevant ways they can use it. Usually they don’t need us to tell them how to set up an account or that posting video or whatever is possible. They are looking for creative practices, inspiration, guidance, mentoring, feedback and the benefit of our experience. They want to know how it meshes with other activities. They want to know if it’s actually relevant for them or just a time sink and are relying on us to give them honest answers not hype. All this can get lost in the discussions of the role of social media in organisations and the role of the experienced trainer. A lot of people are using Platform X now but exactly HOW are you using it? These are the things that are worth talking about – practices as well as platforms.

2. Publicness

Usually, for social media training to work, real things have to be posted on the public web. Although there are good examples of social software that are not on the public web, e.g. a private collaboration wiki for a team, many of the joys of social media learning happen without such restrictions – or safeguards, depending on your point of view. If you’re wondering then there are ways of managing the reputational risks of that – for example, using a pseudonym or an individual person’s account/identity with appropriate disclaimers instead of a company account.

3. Group dynamics

In our experience there is a group dynamic for hands-on training with one trainer which can be sustained with up to eight to ten participants. After that it starts to break down – the session becomes less of a hands-on practical session and more of a presentation.

4. Shared note taking

We approach training workshops like mini-conferences with a ‘backchannel’. In practice I mean that at the beginning we invite everyone to a Google Doc for sharing of notes and links. This is suggested as a potential replacement for eight (say) separate sets of notes and thus reduces repetition, allowing more time for learning. It’s a snap to share links within the group. We are also trying to illustrate how shared notetaking can be amazing for collaboration with colleagues for other kinds of work beyond training. Sometimes people like to take additional private notes on paper or on a device, which is fine, but once they’ve tried shared notes they often tend to like it. One day maybe all training courses will adopt this – from video production to healthcare.

5. Skill levels

It’s obviously good to have a diversity of participants. An exception to this guideline: we prefer that the skill level of everyone is roughly level. This is to avoid causing frustration for the confident and for those less experienced on social media. This can be managed with clear publicity before the course.

6. Language

We distinguish between language as medium of instruction (a training course offered through the medium of Welsh or English) and language as content (discussing and exploring multilingual use of video, blogging, WordPress, etc). In practice the two are distinct but related because we are talking about the Internet, where content, communities and networks converge in particular ways. We are based in Wales which is a country with two official languages. For people who normally work in Welsh it’s important that they do training in that language where possible. In an organisation if you are planning to offer both Welsh and English medium training then both should be clearly publicised as equally valid choices from the beginning. Oh and a single session labelled as ‘bilingual’ tends to please nobody!

7. Initiatives vs. projects

It’s important that participants gain practical hands-on experience. We have heard of social media training courses which are actually just presentations. We love presentations but would question the effectiveness of these if billed as training. A big part of some of our courses is the practical initiative. We try to avoid ‘mock’ projects as much as possible. There is only limited relevance in something which is worked on for a few hours then abandoned, especially online where things take time. If each participant can work on a real initiative then that is much better. The word ‘initiative’ allows for things that don’t have a definitive ending; ideally they continue beyond the end of the course. If you can think of a better word than ‘initiative’ to capture this meaning, let us know.

8. Principles vs. platforms

We hold each service lightly because they in turn hold us lightly. What I mean is, there is no guarantee of the long-term future of many social media platforms. What we try to impart are principles. We can use WordPress to illustrate the main features of blogging. But from that if we can help people to really understand blogging in its essence then that will be useful on the web in the long-term, whether they are using WordPress, Tumblr or blog-like services and post-blogging services (as it were) such as Pinterest, Google+, Facebook or Twitter. Beware of the “Google+” training being offered by some at the moment. Why? Well, will your community be using it in the future? Is your community there now?! It’s far better to discern the principles that underlie the social web. Right now I’m not sure that these principles change radically with the arrival of each new platform pretender. That’s a topic for another post.

A465 social media surgeries – Merthyr Tydfil and Ebbw Vale

We are currently organising social media surgeries in Merthyr Tydfil and Ebbw Vale, Wales.

Have a look at the following two events hosted by, an initiative for people living and working in the Heads of the Valleys.

Wednesday 22nd February 2012

Orbit Business Centre, Merthyr Tydfil
8:30AM – 10:30AM session for businesses
12:00 noon – 2:20PM session for community groups

Friday 24th February

The General Offices, Steelworks Road, Ebbw Vale
9:00AM – 11:00AM session for businesses
12:30PM – 2:50PM session for community groups

As you can see above there are two dates, each of which has two sessions. You can find a whole lot more event info on the A465 site or have a look at the flyer for business and the flyer for community groups/projectsBook your free place now.

Presentation at the Social Enterprise Wales conference 2011

I couple of weeks ago I was invited to give a presentation to a group of Social Entrepreneurs at a great conference organised by the Wales Co-Operative Centre and the Welsh Social Enterprise Coalition in Swansea. Wales has a long tradition of Social Enterprise going back to the 19th Century, from Robert Owen to Aneurin Bevan.

The presentation was livestreamed, and the video is available online here. If you’re interested, the software I used for the slideshow is Prezi.

Talking about digital media at Think Digital Cardiff @tdcardiff

Next week I’m doing a talk about digital media.

I thought I’d put the emphasis on what I think of as ‘all the other important applications’ of digital media like collaboration, online communities, forming groups, user-generated content and so on. If you want an accessible introduction to some of these things then you should consider coming along.

It seems to me that sometimes people automatically associate digital media and social media with publicity, PR and marketing. I think marketing is a legitimate use of digital media, depending on how you do it, but it would be limiting to think of it exclusively as that wouldn’t it? What about all the other useful stuff people are doing online?

So hopefully the talk which I’m working on now will complement the talks by the other speakers. And I think I have a way to tie it all together.

The event is primarily aimed at business owners in south Wales who want to know more about online. It’s called Think Digital Cardiff and is organised by Big Eye Deers who specialise in creating ecommerce sites and web stores for people. Now, there are probably loads of companies who claim to offer these services. Big Eye Deers, while well established, are new to me and would be the Highest New Entry on my chart of favourite companies – if there were such a thing. What I like about them is their eye for detail and their use of open source software.

At the time of writing there are still spaces at Think Digital Cardiff for small business owners and all proceeds from the event go to charity.

A social media tour for music companies

These notes accompany the presentation I gave on Friday 25th September 2009 at Galeri, Caernarfon. This post is also available in PDF format.

My main emphasis was what relevance social media might have to musicians and music companies. I began with the context of online cultures before talking about examples of technologies and services and how they might be used.

Questions we’re trying to answer:
Why should anyone care about my band?
Where I can go to find or grow communities?
What tools can help me to find fans, but also to learn how to adapt my business in a changing environment?
How should I manage the time and resources I put into my online activity – to get a good return on my investment?

A range of companies attended representing different genres. Everyone had music, in the form of songwriters, performing artists or catalogue or all three. Some took revenue from live shows, others from CDs, downloads and subscription services and others from sync licensing.

What are we talking about?

The World Wide Web began in 1990 and is always evolving. In recent years one big theme has been online participation and conversation.

“Social media is an umbrella term that defines the various activities that integrate technology, social interaction and the construction of text, pictures, videos and audio.”

“Social media is people having conversations online.”

Conversations is a metaphor. The conversations take place inside and outside companies or even across the company “firewall” – between companies and the outside world. Please note: not everything in social media is in pursuit of a “marketing” function. Social media involve fans, experts, amateurs, enthusiasts and yes, customers. But overall, people. They are about every topic possible, via video, text, pictures and audio.

Social media is about much more than social networking sites. There are thousands of places online which have embraced social media. Example: Amazon user reviews and tags, also, even a company’s own website if it has a blog or other social features, for example.


There has been huge growth in adoption of certain social media, e.g. Wikipedia, YouTube, blogs, social networks and subscription to RSS. I spent some time talking about the statistics, just to underscore the point that it’s growing.

“It’s not a fad. It’s a fundamental shift in the way we communicate.”

Observations about online culture

Before embarking on any “campaign” be aware of online cultures – across the web as a whole and also within individual communities. These are some of the common themes you often see. Not exhaustive, just themes you’ll see in the wild.


Natural, open, honest, direct, human voices work best. Not the mission statement, brochure or telephone busy signal. The unnatural “corporate voice” is fading. People just tune out.

Read The Cluetrain Manifesto at

As a general guideline if your website looks like a static brochure it’s probably not making the best use of what online can do.


By “remix” we mean that culture is adaptable. People in general have an impulse to participate and be creative.

It is a natural impulse and has existed for a long time, particularly in folk cultures and more recently in sampling. It can be easier to express through social media than it was through traditional media, there is a democratisation of media. This obviously covers music but not just music – everything.

In some ways it’s an acknowledgement of how ideas have always developed.

Kutiman remixing YouTube
and other online memes.
We can actively encourage this, e.g. Radiohead releasing parts of their track for remix. Be creative.

Read “Remix” book by Lawrence Lessig


In the music industry, if I say “sharing” we jump to thinking about unlicensed music sharing. We could have a big discussion about that.

But here I wanted to emphasise the more general nature of sharing culture – people sharing news, posting links, discoveries of new bands (and old bands). Also of course, sharing through blogs whether that be experiences, advice, links, lessons.

It’s human impulse. Increasingly this is happening in real-time too. People can share very quickly, sometimes by clicking “favourite”.

As music companies, are we giving people things they can share? If not how do we expect to be found online?

For music recommendations, we often trust our friends more than critics.

Everyone in the room has something they can share.

Be creative.

Be interesting.

An idea: why not ask your community of fans if they are sitting on their own archive photos and video of your artists? They might be grateful for recognition and links back.

Don’t be afraid of sharing niche things if that’s what you do. The web is big enough.

If things are tagged and titled properly they can be found. It helps if each item has its own unique URL. Things exist across the web, on different services. But for your own website, if you requires major restructuring to allow deep links, it may be worth the effort.

Definitely share from your back catalogue, people are ready to discover it today. Some people in the room have decades of great stuff!


This is linked to sharing and also to the human voice. There is a tendency towards openness online. If you are open, like-minded people will find you. They will also converse back.

Examples from the world that music companies inhabit – most fans would like to hear more about the process of recording, “behind the scenes” at gigs, inter-band conversation. Think about the things you take for granted which are interesting to some people.

(Openness also means being accountable for mistakes and human failings – back to the human voice again.)

This is normal now. It is rare to have a Kate Bush-type artist who needs to be totally mysterious. Don’t use this as an excuse not to open up. How will you be found?

General points about cultures

Every company is a media company. The companies who are patient and adaptable and who share will get the benefit of this. We can have our own media which are fundamentally different to traditional media “channels”. Social media don’t necessarily replace traditional media – but social media are interactive, cover more niches, they are more diverse.

As music companies, we are free to release a large amount of interesting content. There are ways to do this without annoying people as a big album launch swamping traditional media sometimes does (U2 for example). For example you can post 100 videos to YouTube. People can filter down to what they like. Read “The Long Tail” by Chris Anderson.

Traditional media are preoccupied with release dates and current things. Music marketing responds to this. But online this constraint does not exist. Look at your back catalogue.

A quick tour of some technologies

These are in broad sections with examples. There is overlap and a lot of hybrid services.

We couldn’t cover everything in the limited time, so I talked about technologies and services most relevant to a music company.

Video platforms

YouTube – the definitive video sharing platform, fans are there – use it!

Vimeo – better quality but not as many active users searching

Qik – live streaming of video, e.g. for interviewing a band or streaming from a gig

In general it’s a good idea to make your videos embeddable. Do this and people can post them on their own blogs and web pages, increasing the potential number of relevant viewers. Universal Music Group don’t allow this for their videos, for some reason known only to them.

Social networking sites

Facebook – fan pages can be good as long as they are maintained. You can pull in your RSS feed of news but avoid too much automation. Again, people like to interact with a human being. In general, a Facebook page or any social media presence is a promise you will be available. (This is why you should answer email from fans.) Be aware of the walled garden – you cannot take your Facebook fans elsewhere very easily. Facebook are in control – of the experience, of your pages, of your fans. (I was banned from Facebook recently while testing something. It could happen to you. They let me back though.)

Ning – people create their own social networks. It offers more customisation than Facebook. Creating a social network is not something you do every day – but useful when you want a distinct community with its own URL. Americymru is an example of a community on Ning which you can join to discuss Welsh matters, including music.

Myspace – there is still value in having a Myspace account as a band or label. For gig promoters and agents it can be the definitive place to check out your music. Have up-to-date music, photos and gig dates on there. Other than that, be careful how much time you spend on it. This will depend what kind of music you work with. It’s spammy.

Twitter – I sensed some scepticism about this one, possibly because of media hype and mis-representation. If you are dealing with excellent music, then you will be talked about on Twitter (and other places) whether or not you actually have an account. Try running a search. It’s a hybrid of blogging and social network, often called “microblogging” because each post is 140 characters or less. It includes mobile access. As with most social networks, any form of blatant marketing is a turn-off for people. Why not try it and see for yourself? The web is highly experimental. If you see some hype, be curious and go and decide for yourself.
Twitter is excellent for monitoring music news and social media news. It’s also potentially good for being an influencer, if you are interesting enough.

Dedicated blogging platforms

A blog is not necessarily a diary! It’s just a website organised by time. Actually a highly creative medium.

Blog is a contraction of “web log”.

WordPress – my personal favourite. It’s open source so you can ask your web person to download the code and host it yourself, on your own domain name. Endless customisation is possible in design and features. Now in use by many companies including Telegraph for their blog and comment system and Number10. Go to for the easy hosted version or for the code (if you know someone technical who can set it up on your own hosting)

Blogger – long-running but possibly looking a little dated now, limited customisability

Tumblr – more like a blog scrapbook, e.g. singer from The Decemberists shares things he is interested in (not just his own music)

Posterous – dead simple blog for small posts, worth a look

There are many others. It’s technically easy to start a blog but it can take time to master it and grow to something of value. If you want to know how easy it is to start a blog, here’s a fun experiment: send an email to and you’ll get an email back telling you about your new blog.


Soundcloud – audio platform (becoming popular with music companies and artists, as an alternative to CD demos and promos)

Flickr – photo sharing and discussion

Slideshare – slideshows

Last.FM – radio station with music recommendation, has a community of hardcore music fans


RSS is a way of pulling content from a website. One very useful application is setting up a feed reader and subscribing to blogs and news sites you want to follow. Instead of manually visiting site1, site2, site3, you are automating this process.

My analogy is a custom newspaper which you put together yourself. Mine has hundreds of subscriptions which I scan.

If given the choice, I will always subscribe to RSS instead of choosing an email newsletter. I use email for getting things done and my feed reader like my newspaper – for my coffee break.

Google Reader is a popular example of a feed reader.

You can also subscribe to search feeds, e.g. for your name and names of your bands! Many sites offer search feeds. YouTube, Twitter, Google Blogsearch are just three. Don’t be slow to find out if you’re being talked about.

Sometimes sites offer Atom feeds, it’s a slightly different file format but exactly the same in practice.

We didn’t talk about

Mobile, location-based services, social bookmarking (e.g. Delicious), activity streams, comment systems (e.g. Disqus), wikis, “user-generated content”, collaborative documents (e.g. Google Docs), APIs

In other words, social media technologies are very diverse. There are lots of companies making a play to launch their own services.

Questions from music companies

I’ve tried to reproduce questions here as accurately as I could. In my answers I gave a lot more detail. Next time I’ll consider recording it!

This time, in line with the Chatham House rule, I’ll say what was said but not who said it. This document is online at so feel free to comment there.

Question: what’s the difference between the different blogging platforms? What’s the difference between, say, WordPress and Myspace? I already have a blog on Myspace. Why would I need a blog?

The different blogging platforms are service providers so it’s about personal preference and features.

Myspace has taken inspiration from blogging platforms for its own blog feature. If Myspace is working for you and for your fans in your style of music then of course carry on and re-assess in the future.

I would say that not everyone is using Myspace, so you will miss people. With WordPress (which is my personal favourite, especially when hosted on your own domain), your own blog would be far more customisable in every way, not just in design but features – and importantly be more visible (probably). Also, your own blog would probably be less susceptible to social network fashions, as certain users have deserted Myspace. It might be an idea to do a blog and copy the relevant posts to Myspace, for people who spend time there.

Question: what about the metrics on Myspace friend count and number of plays for each track? They can be gamed/boosted with certain software.

The people who care about these figures should know that they can be gamed. Therefore there is no value in doing this. This then backfires on the cheats, or people just ignore the figures entirely.

(Questioner then said that journalists are deciding whether to feature artists on the basis of phoney counts. I don’t know whether this is this case anymore.)

Maybe there is value in having an honest but low number of plays if your music has been freshly uploaded. Under-hyped can work!

Question: in the old days we would leaf through vinyl records. Bands could build a community in their local area. Now there is so much competition from other bands worldwide. Is all this a double edged sword?

Yes it’s a doubled-edged sword because people have finite attention spans. Online has been described as an “attention economy”. People have more access to all kinds of things, not just music. So your music has to be good of course.

On the plus-side it is potentially easier to find international audiences such as Japan and America – both of which probably have big demand for Welsh music!

Someone gave the example of a successful licensing deal for an advertising campaign in another territory. (I think the implication was this was achieved thanks to online).

Question: what about quality? There is so much crap online.

This would make a good pub argument. I personally think there has always been crap, it’s just more evenly distributed.

It is about having good filters – people and sources which you trust.

As for music companies looking for artists to work with, Geoff Travis of Rough Trade has an old quote which still holds: “always work with genius”. You can’t argue with that.

Question: what do you think of Spotify?

Spotify is a streaming music service. I love it.

It has advertising but their model seems to be based on paid subscription. The advertising is apparently there to annoy music fans into subscribing!

I’m not going to prescribe Spotify for every artist and label but many people like it. As with any deal, discuss it with your digital distributor and look at the figures.

In general subscription services could be an alternative to selling copies of albums, e.g. eMusic, Nokia Comes With Music. (Comment about whether somebody could set up infrastructure to get Welsh music on subscription services or have a Welsh subscription service. Other comments outside the scope of our discussion.)

(Comment about whether it hurts other revenue. Someone was looking at releasing one track instead of a full album.) I can’t answer that for you. It could be cannibalisation or it could be “found money”, depending on what you’re doing. It’s a business decision which, again, you make based on digital distributor’s advice and wisdom from elsewhere.

There is lots of online discussion about revenue for content, e.g. – I’m here to say you should subscribe to the RSS and get smart!

Question: earlier you mentioned The Guardian review of a band which is interesting

Yes, I knew about it because somebody had posted a link on Twitter!

(We had a discussion here about the comparative value of newspaper reviews and blogs.) I think if you are good and have good PR then you can get, say, a Guardian review per album or for a high-profile gig. I’m definitely not minimising the value of newspaper coverage when I talk about social media. As far as your efforts go, the two are not even in competition.

The potential value of good social media engagement is growing.


Social media definition – this is an unattributed quote taken from Wikipedia but works well enough.

Some other quotes (italicised) taken from What The F**k is Social Media by Marta Kagen

Logos were the property of their respective companies.


The above notes are covered by Creative Commons Attribution-Share Alike 3.0 Unported Licence.

If you want to share it, see the conditions at