Timeline for Facebook pages – the key changes

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If you run a Facebook page, the changes announced this week are important for you to know about. In a nutshell, the swanky new design led Timeline display that we’ve been seeing on personal profiles has come to Facebook pages. Some of the changes will be a bit annoying (work you’ve done previously could become irrelevant now) but as with most Facebook changes, these guys know what they’re doing and it’ll almost certainly result in better experiences for your fans.

Here’s a summary of some of the biggest changes:

Cover photos (the big photos on the top of the page 850 x 315 px) give you the opportunity to create a strong visual identity to your page. Here’s some inspiration from Mashable if you need it – 20 Facebook cover photos to inspire you.

Custom tabs have changed position, size and the number that are visible above the fold – instead of having a load of tabs running down the left hand side of the page, you get just four large tabs at the top of the page underneath the cover photos. This is going to be annoying for page admins that have developed a lot of content on their Facebook page, and it’ll force you to think carefully about which are the most important.

Custom welcome pages for non-fans are gone. Having a friendly page incentivising people to like your page has been important for the last couple of years, but they are no more – users will now land on your timeline, and there’s no choice about it.

Content layout has changed – those familiar with the Timeline will know about the two column layout, with the line in the middle representing time. This will provide some challenges as people learn how to use the layout effectively. You can add deep history to your Facebook page if your brand has some serious history – you can add milestones to give the timeline depth.

Sticky posts it’s now possible to keep a post at the top of the timeline by pinning it to the top of the page (where it’ll stay for a week) – this is going to become a critical space for pages to post their key message.

Messages - something people have complained about for years with pages – you can now message your fans – but only if they message you first. So it’s something you can use to encourage people to get personal responses from you. You can turn this option on or off in your Page edit menu.

A new admin panel which appears at the top of the page gives a snapshot of recent activity, messages and even gives tips (we’ll have to see how useful these will be).

These are the big issues you need to think about immediately. All in all, this is quite a significant change, so if you run a Facebook page, it will be well worth your time getting to grips with how things now work.

There are a very useful posts from some of the big social media agencies in London that are well work a look – here’s my top three:

  1. Blog post on Mashable about the key changes you need to know about by Victoria Ransom, CEO of Wildfire Interactive
  2. Katie Glass from FreshNetworks posts about Facebook page changes
  3. We are Social post about how they redeveloped Bulmer’s Facebook page and the lessons they learnt.

Social media training with Size of Wales

Size of Wales training

Size of Wales is a great charity that is working to unite the people of Wales (and those who love us) around a project to protect an area of rainforest the size of (you’ve guessed it…) Wales.

They have made a great start to their work on social media with a fantastic effort to gain over 5500 fans of their Facebook Page, a brilliant Facebook application on their website that enables people to get together in Tribes to raise funds and regular interaction via Twitter.

The team wanted to come together to look at how they are using social media in support of their strategic goals. They also wanted to come up with creative ideas for creating digital content and promoting conversations about rainforests and action on fundraising.

We developed a process for the Size of Wales team which included evaluation and creative ideas generation. We also looked at specific issues with the functionality of platforms and ways in which the work being done by the whole team could feed into their communications work.

The Passion of Port Talbot: Michael Sheen

Michael Sheen multiplatform

It’s nearly a year ago since Michael Sheen’s The Passion of Port Talbot – one of the most acclaimed pieces of large scale participatory theatre in recent history.

The play that transformed the South Wales town of Port Talbot on Easter weekend 2011 was also live blogged to the world across multiple internet platfoms thanks to a project that we ran with a team of volunteers from the town. It’s one of the most exciting multiplatform events we’ve been involved with.

Port-Talbot.com was framed as a local blog within the world of the Passion story… writing as if everything happening in the show was happening for real. During the weeks leading up to the show, we built up the storyworld in the town, spreading news of a missing teacher from the town and a sinister multi national company ICU industries, which was due to arrive at the town soon.

We set in motion a transmedia experience with an alternative reality game (ARG) that took people from codes on graffitit defaced posters in Port Talbot town, to phone numbers, live events and the web, leading to the release of a unique short film with Michael Sheen as the character, The Teacher.

We lived blogged the events that took place in Port Talbot over the weekend, filming the action and editing and uploading it to the web within a couple of hours. The final crucifixion scene was witnessed by twelve thousand people on the streets of Port Talbot and tens of thousands more online from one hundred and twenty countries.

Live blogging has the advantage of bringing an event to the web, enabling people from all over the world (from 120 countries!) to feel involved and connected to events on the ground. With the Passion, we created the blog as a new character in the story – a media outlet that was part of the world in which The Passion took place.

National Theatre Wales Community in the Guardian

guardian

The Guardian published an article I wrote about the National Theatre Wales Community today in their Culture Professionals Network. Here’s the link – it’s called “The next step to social networking is to build your own online community” and looks at how the community, which is built on the Ning platform,  has been used by the theatre to develop as a company.

One of the most important ways in which the community has affected the growth of the company has been to enable them to invite participation in their development of policies and initiatives. Everything that they do is communicated through the community, including the framing of their approach to commissioning, casting and theatre criticism. The community site allows the to throw the virtual doors open and invite comments and debate about their work and the direction of theatre in Wales.

Encouraging people to participate in an online community isn’t easy – it’s not just a simple matter of ‘build it and they will come’. It takes commitment from the people at the top to set participation in online discussions by the staff as a clear priority for the work of the company, something that John McGrath the Artistic Director has given in spades.

John is one of the most committed bloggers on the site, regularly sharing his thoughts and reflections about the work of the theatre, responding to people who seek his views. We trained their staff to administer the network, to blog and to help people to feel welcome and encourage them to participate in the debates and discussions held online/

One thing is certain – setting up an online community for a major national institution has been an exciting process and has brought some changes to the way that the company operates – it changes the demands on the staff team, requires training and guidance and it changes the feeling that people have about the institution – hopefully people have felt more involved and listened to.ask for his thoughts and leading debates about where theatre is going – see for example this recent discussion on the shape of political theatre.

There is still a lot to do for the company to realise all the opportunities to connect and communicate with the arts community in Wales that this resource offers them, but they have made a tremendous start and we wish them all the best as they continue to develop their online community, and the theatre community as a whole in Wales.

Multiplatform design for The Radicalisation of Bradley Manning

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The pre-trial process of Bradley Manning has started in the United States, with the 24 year old army private accused of the biggest leak of classified information in military history. National Theatre Wales is creating a new play written by Tim Price about the alleged wikileaker and the time he spend in Haverfordwest in Wales.

Tim has blogged on the Guardian about why he is writing the play and I have been commissioned by NTW to design the multiplatform element of the show. There is a group on NTW’s community site (built by NativeHQ) where the show and the issues around it are being discussed.

More will be revealed as we develop the show, which will open in Bradley Manning’s own Haverfordwest school in April, but for the moment, all I will say is that I’ve been thinking about how a live theatre performance can interact with a global audience through the internet, and how it can move beyond the broadcast thinking of the approach taken by National Theatre Live  :)

Presentation at the Social Enterprise Wales conference 2011

I couple of weeks ago I was invited to give a presentation to a group of Social Entrepreneurs at a great conference organised by the Wales Co-Operative Centre and the Welsh Social Enterprise Coalition in Swansea. Wales has a long tradition of Social Enterprise going back to the 19th Century, from Robert Owen to Aneurin Bevan.

The presentation was livestreamed, and the video is available online here. If you’re interested, the software I used for the slideshow is Prezi.

Photos from the development of The Passion by Michael Sheen

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Here are some photos I took during the development stage of the Passion project, while we were exploring the Port Talbot dunes and beach with Michael Sheen, Bill Mitchell, the cast and some of the crew.

The invisible workload of social media

Recently I’ve noticed how organisations who are starting to use social media are radically underestimating the time investment that such work requires… and often adding this work onto the job description of people who are already pretty busy. This is a bit of a mistake – it’s important to work out exactly what is involved in generating and getting content out successfully into the web community and to your followers.

Talking recently to a photographer, I was struck by how he described his clients’ lack of understanding about what it took to properly publish his work online so that people saw it. Usually basing their own assumptions on their (limited) use of Facebook to share photos, they see it as an easy thing, which doesn’t require much time of special knowledge.

For a modern photographer, taking the photo is just the start of things… then comes processing of RAW files, then into Photoshop for some finishing touches to the post production process. Then resizing the image files and getting the colours right for print or web, depending on their use.

Over to Flickr, there’s uploading and creating (good) titles, descriptions, tags, geo-tags and other meta-data. Then there’s the option of doing a bit of research on Flickr to find appropriate groups to put the photos on. Then beyond Flickr, there are the other online places you might want to embed or publicise the content. Facebook, Twitter, client’s websites, niche networks etc.

Only then can he really consider his job ‘done’… and it takes at least as long as he used to spend in the dark room in the old days of film, when clients could appreciate that it took a good deal of time, art and experience to create a photographic object.

The same is true of text content (edits, re-edits, checking sources, writing for web and search, adding metadata, double checking, publishing,  pushing the content out to other networks etc). And the same with video – shooting, editing, captioning, converting into the right format, uploading (sometimes to multiple sites), embedding, publicising on other networks etc…

Often, a brand is also running a presence on Facebook – which needs its own attention, then there’s responding to incoming communications, monitoring online activity etc. All in all, it can be time consuming if you’re planning to attend to your online activity meaningfully.

So when we’re talking to companies who are looking at working seriously in the real time web environment, we’re pretty eager to hear how they plan to provide enough people time to resource it. Who will be doing the actual work, and how will it fit into their job? I do hear too many saying that they’ll just ‘add it onto’ someone’s existing role – and it’s a bit of a red flag.

The cost of online technology has come crashing down in recent years – but the requirement to provide some real human time paying attention to online activity has increased. Rather than just see this as an opportunity to save money from the technology budget, companies should be re-investing those savings in human time to pay for all the work that is actually involved in running a successful online presence.

It’s great the brands are now able to run their own online media presence, but it takes time and human effort – and that is what generates the value – people. So if your thinking of investing in this space, think in terms of time, rather than money.

The Safe Foundation website

NativeHQ present the Safe Foundation’s new website. Built on WordPress, the site gives the charity the capacity to operate online.

The Safe Foundation are a Cardiff-based charity that raises funds for small community projects overseas. They organise fundraising balls, parties and other events in the UK, getting contributions from their networks for communities they connect with directly.

Their new website provides them with a platform for operating online:

  • A latest news blog with RSS feed
  • Profiles of the projects they work with
  • An events calender for their fundraising events
  • A donation page where you can donate via PayPal, using Chipin
  • A Flickr group gallery for their photos
  • A cideo channel

The site is built in WordPress, giving the Foundation an awesome open source platform that is infinitely extendable.

You can also connect to the Safe Foundation team on Twitter:

For their first online fundraising effort, the Safe ladies are raising money to send a Flip Camcorder to the kids they work with in Sierra Leone. They only need $125 (about $90), so why not give them a big welcome to the web by Chipping into their fund?

UPDATE: It took then 1.5 hours to raise $125! So the Safe Foundation are going to raise another $450 for Flip cams for the kids they work with in India, Ghana and Uganda too!

The New White House Online

At Native, we do like to note when current affairs and news intersect with online media.

The site Whitehouse.gov has just relaunched for the new US administration. We’ll be looking particularly at their blog as well as Barack Obama on Twitter and any other officially-sanctioned tools and sites, to see how the US government are embracing them.

If this flood of US news is getting too much, the Kazakh prime minister has not only started a blog but also ordered his ministers to start their own blogs.